Just as the three-dimensional world can be imagined as a cross-section through a four-dimensional world, so might individual consciousness be simply a slice of a higher form of conscious existence.
When architecture did not suffice, Claude Bragdon began to arrange festivals where people would perceive transcendent realities collectively through song.
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Sandy Isenstadt reviews "the first book-length treatment of Bragdon and his world", a biography by Jonathan Massey.
